DANIEL NARDUCCI
THURSDAY, MAY 7, 2009 | 7:00 pm | MHS Auditorium

Daniel Narducci
Classic American baritone, Daniel Narducci is a multi-faceted artist, whose talents have been captured through live stage presentations, recordings, documentaries, and television. Since his professional debut with the Cincinnati Pops Orchestra under the direction of Erich Kunzel, Mr. Narducci has appeared with many of the world’s most prestigious orchestras, including the Cleveland Orchestra, Philadelphia Orchestra, Boston Pops, Naples Philharmonic, Chicago Symphony, Rochester Philharmonic, Baltimore Symphony, Toronto Symphony, Houston Symphony, and the Detroit Symphony. He has appeared regularly as a guest artist at many popular summer music venues throughout North America, including the Wolf Trap, Ravinia, Blossom, Saratoga, and Bravo! Vail Valley Music Festivals.

Mr. Narducci’s television appearances have reached audiences worldwide. His historic performance with the Cincinnati Pops Orchestra at the Great Hall of the People in Beijing was filmed for nationwide broadcast in China. Mr. Narducci’s other television appearances include co-starring with Frederica von Stade and the Naples Philharmonic Orchestra in a program broadcast internationally by PBS entitled Pops at the Phil: A Century of Broadway. He also appeared with Judy Kaye in the BBC television documentary, Kurt Weill in America: I’m a Stranger Here Myself.

On the operatic stage, Daniel Narducci’s recent appearances include Mercutio in Gounod’s Roméo et Juliette with the Cleveland Opera, and Escamillo in Carmen with the Indianapolis Opera. He has portrayed Count Almaviva in Le Nozze di Figaro, Marcello in La Bohème, Figaro in Il Barbiere di Siviglia, Guglielmo in Così fan tutte, and Belcore in L’Elisir d’amore with the opera companies of Washington, New Orleans, Central City, Palm Beach, Kentucky, Nashville, Fresno, and Hawaii.

Daniel Narducci’s combined talents have been seen on operetta and musical theatre stages throughout North America and Europe. He recently made his New York City debut at Alice Tully Hall with the Collegiate Chorale under the direction of Robert Bass in An Evening of American Operetta. He played the role of Lancelot during two national tours of Camelot, most notably opposite Robert Goulet’s King Arthur, and portrayed Old Deuteronomy in the 10th anniversary production of Cats in Hamburg, Germany. In Cleveland Opera’s production of Sweeney Todd, he appeared as Anthony Hope. Mr Narducci’s additional operetta credits include Jim Kenyon in Rose Marie with the Central City Opera, Count Danilo in The Merry Widow with the Chautauqua Opera and Cincinnati Symphony, and Strephon in Cleveland Opera’s production of Iolanthe.

An increasingly active recording artist, Daniel Narducci recently created the role of Captain Hook on the world premiere recording of Leonard Bernstein’s Peter Pan. This complete version of the musical co-stars Linda Eder, and was released by Koch International Records. Mr. Narducci’s debut recording, Timeless Broadway, appears on the Archaeus Records label, and a solo Christmas CD, entitled Christmas Once More, a collection of classical and traditional songs, is set for release this holiday season.

Daniel Narducci is a graduate of the Indiana University School of Music.

 

MIDLAND COMMUNITY CONCERTS ASSOC.

Live on Stage
REVIEWS FOR DANIEL NARDUCCI

Peninsula Symphony Viva L'Italia concerts:

The guest soloists in this concert were two outstanding singers...with movie-star handsome Daniel Narducci, who could be the model for masculinity in operatic baritones.
San Mateo County Times

October 19, 2006

 

Escamillo in Indianapolis Opera’s production of Carmen:

Daniel Narducci made a dazzling Escamillo. His "Toreador Song" exuded easy confidence. 

Indianapolis Star, October 1, 2006
 

Mercutio in Cleveland Opera’s production of Roméo et Juliette:

The Mercutio of Daniel Narducci was imposing of figure, and his “Mab” aria was delightfully fleet.

Opera News Online, February 10, 2006

Captain Hook in the World Premiere Recording of Leonard Bernstein’s Peter Pan:

Mr. Narducci sets the ears ringing... 

New York Times, August 5, 2005


DanielCleveland Orchestra:

Narducci’s big moment was the Soliloquy from Carousel which he invested with ample vocal and emotional resources.

The Plain Dealer, July 12, 2005


Illinois Symphony—Aaron Copland’s Old American Songs:

Narducci captured the essential elements of each song not only by voice but by manner, as he seemed to transform his persona with each different selection…Narducci’s voice was subtle and exact yet wonderfully projected character and substance.

the Star, Chicago Heights, IL January 15, 2005
 

Anthony Hope in the Cleveland Opera Company production of Sweeney Todd:

“...Narducci’s silky, ardent tone made him altogether sympathetic and a much-needed good guy in the story.”

Akron Beacon Journal, December 5, 2004
 

Count Danilo in the Chautauqua Opera Company production of The Merry Widow:

“Daniel Narducci was handsome and full voiced as Count Danilo.”

Post-Journal, Jamestown, NY, August 16, 2002

PBS Taping of A Century of Broadway:

“…a sensitively sung “Old Man River,” by Daniel Narducci who has an unusually rich, deep voice.”

Naples Daily News, April 28, 2001
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